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For Comparison

So here are DSLR (actually SLT but let’s just stick with what we understand) versus 35mm (both via Photoshop):




It should be noted that the Minolta was on a tripod, the Sony hand held , a few inches above this. The Sony is focused on the leaves rather than the pineapple surface – not sure why I did that and regret it now. Also not the had a 24-200 zoom lens, set to 42mm f/5.6, the Minolta with a 50mm prime at f/1.7

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Liking the hit rate

I was up until 2am last night working through the new film shots: rescan and tidy up in Photoshop. Overall I was very pleased with the results (see the gallery Mono December 2016 35mm), i.e good contrast and the right exposure. In terms of a hit rate, from 36 images 21 of them were certainly satisfactory for my standards. 

So lessons I can take from this? Take more time thinking and composing the shot, even if digital images are free. The other thing I liked was the more natural feel you get from a 50mm lens, ie. on barrelling (wide angle’s effect), or weird background forshortening (zoom’s effect). I think a 50mm prime lens will be my next DSLR treat in the new year. 

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Getting it out there

So I’ve set up the blog, added content and am enjoying writing about what I’ve been up to with the camera, but other than the benefits of reflection, sharing the stuff with the outside world seems a better proposition. This is what the internet is for, right? 

If I get any feedback on my work, generate some discussion, or if I can offer up any tips or advice (not that I much to give so good luck with that one), then mission accomplished. 

This isn’t my day job, it’s just something I like doing so very happy to share my interests with anyone who stumbles along. 

Anyway, to start to get 404i.com more visible I’ve started the tweet: @404i is the one to follow.

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The results are in – Minolta’s mono developed

Excited today – I finished my first roll of black and white film from the Minolta (about 3 months to get through it all) – developed at Jessops – and came straight home and scanned all 36. 

So there were images, and most of them were in focus, had a reasonable looking exposure and some were even quite good (or rather, not bad). However there was an issue with the scanner in so far as it needs to be dusted ever few images or so (I’d just run the entire roll, uncut, through the machine). I also need to be more careful with the settings to get the levels right when scanning. So no harm done, I just need to re-scan the better shots. 

Pineapple and dust

As can be seen, perfectly good image but needs re-scanning after a bit of a clean up. Note that the above hasn’t been touched by Photoshop or anything else, so pretty happy to get this one straight out of the camera. (I have a similar shot I did with the DSLR at the same time, so will compare in a later post). 

Overall then, not unhappy at all, I just need to get used to working with different, new equipment. 

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New scanner fun

Christmas has finally come and my present is Jumbl 22Mb film scanner. I’ve not used up the film in the Minolta yet so I dug out an old film from 1984 (or there about) and scanned a few in – see the 35mm section (Old Photos 1984). The results are better than the flat bed scanner (and much quicker to process) but the resolution not amazing, but I think will be good enough. 



St Mary’s Cathedral, Edinburgh

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Stepping backwards – one step at a time

My very first camera was given to me when I was about 6 years old, part of a collection of items that came in a box and called an Adventure Kit: it contained a pen knife (that was ok back then), a water bottle, compass, torch, whistle, bag worn round the waist, but most importantly, a real camera. My dad gave me a roll of black and white film to go with it and I still have the photos of some steam trains at some event somewhere . 

Fast forward to when I was 13 and I found my dad’s Praktica, put in some black and white film and went off try to try get arty. Two years later (not sure what happened to the East German SLR) I got my very own SLR, the finest the USSR (Google it young people) could produce from surplus brass tank parts, a Zenith EM

And so film continued, through the 1990s with various instantamatics until finally digital arrived. I’d spent so long during this time taking snaps and filming video (especially once the kids arrived) I’d forgotten that I used to take arty shots. The cost of film was always a limiting factor and took a while before it finally dawned on me in 2004 that the photos I took with my beloved Nikon Coolpix (a tale for different post) didn’t just have to be snaps. Keep in mind that the memory card didn’t hold that many pictures so I was still a bit cautious with the shutter.

Forward again to 2016, happily snapping away with my Sony a57, as arty as I like and beginning to become interested in black white images – the blinding flash moment (well nearly) – hey, I wonder if I could take photos on film and set up my own dark room in the shed? 

Some internet research later and the complexity and cost of printing photos was pushed back to a later date, if I’m still keen. Some more research later and developing quite doable, just a dark cupboard would suffice, but again, not quite yet. 

So bring out the Zenith? Well no. First of all, the lenses I have aren’t good, the camera itself is big and heavy, leaks light occasionally, hard to focus, exposure counter not working, and so on. However, I have Minolta fit lenses right on my Sony? So why not buy a Minolta SLR – eBay… £12 + pp (body only) and arrives a rather nice Minolta X-300

Great. Oh, but the Sony fit lenses don’t er.. fit. You see the SLR has C-fit, not E-fit…doh. eBay..£15… 50mm Minolta lens. Now we’re rolling!

A trip to Barcelona with some old, out of date Kodacolor Gold to try things out. This is where things became interesting because of the way I take digital images is quite different to film. Carrying both around I came to a spot where I wanted to take some shots. Sony out and click click click zoom click fiddle-with-settings click click click. Now, Minolta out… mmmm …mmm check aperture… mmm… line up…mmm not here, move closer… mmm adjust shutter speed…mmm… mmmmmm…. err…er… ah… no… mmm…. adjust aperture….errr……ok. Click? damn, need to wind film on first… mmm ….er ….mmm. ok. Click. And that’s it. Dunno if it worked. So the approach is quite different. On that trip I too about 750 digital images. I took 36 film images. Hit rate about the same (see Barcelona 2016 in Film gallery). [not really – Ed]

Getting home I got the film developed (£3 in Asda including contacts onto a CD) and tried to scan them using a rather old Epson scanner. Gives a nice scratched, old effect but Santa is bringing me a better scanner (Jumbl 22Mb) for Christmas. I have a £10 roll of black and white Ilford film getting used up just now (so even more picky about clicky) which I will finish this week, and then to Jessops to get developed (I don’t trust Asda to have clean developer and fix solutions in their machines). More costly however. 

So right now I’m at first base: take images and have professionals development the film. I’ll scan and photoshop the negatives, and then, one day perhaps I’ll print too. And that’s the journey. The question not yet answered is will I get anything from this film-based activity? Can I get images that will be any better than from digital, or at least different in a way that would be difficult (or phoney-looking) to reproduce in Photoshop? So far all I can say is that it’s been very interesting having to completely change my approach to how I take a photo. And that in itself may positively impact my digital images as I’ll spend just a little more time looking and thinking rather than just clicking in pursuit of the percentage shot.


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