I realise that I appear to suddenly be in possession of many cameras: Sony a57 (my only digital), Minolta x300, Nikon F3, Zenit EM, Holga 120N, Brownie 6C, and from next month (following a significant birthday), a Leica R6. Honestly, that’s enough. No more.
For now at least. (I’m sure I used to have an Olympus Mu, but where did it go?)
So the [nice] problem is what to do with the 35mm SLRs at least (the Holga can travel, the Brownie just a bit specialist). The Zenit, bless it, my first SLR from when I was 15, is not very usable so can be excluded. So that leaves 3 very nice cameras, Leica, Nikon and Minolta. I feel like each needs a preferred purpose, so if going out and I want to grab a camera then I pick up the one that’s going to be best for the occasion. All three are very similar in functionality (90% manual) and I have same range of lenses (30 – 70mm zoom + a 50 prime, roughly speaking). So what’s left?
And that I is the solution that I’m thinking about at the moment:
Minolta = Colour film – I love this camera – it’s light, has a great view finder (and best metering functionality of the 3), but perhaps the least reliable in that in the cold the battery seems to fail. It’s also only a matter of time before the capacitor conks out. Given that I mostly shoot mono, then this is going to be best to use for colour film that will get occasional use, rather than a regular go to.
Now the trickier problem, Leica and Nikon are 2 great, classic SLRs – arguably the best 2 manual SLRs ever made – here’s what I’m going with for now at least:
Leica = XP2/HP5 400 – This will be the principal camera for a day trip somewhere, or to pack on holiday. Standard film and the usual types of images that I take (buildings, scenery, still life).
Nikon = Kodak Tmax 3200 – This camera has 2 features that the Leica lacks: 2000th sec shutter speed, and A mode*. Neither of these really matter to me particularly, but if I’m using fast film then a quicker top speed will be useful. The other thing is that using fast film with A mode on would be better for grabbing a quick shot if shooting street [when do you ever do that? -Ed]. Tmax 3200 is usable in lower light so that’s the main decision point though. Going to a museum, something indoors, Scottish winter? Then it’s Nikon time.
Not necessarily problem solved but let’s just go with it for now. The Tmax arrives tomorrow but the Leica’s not in my hands for a month, so will just have to hold my water till then.
[*A mode – aperture priority]Read More
Out for meal last night with some friends and I start talking about how I want to get a Leica for my birthday, and that I’ve just bought a Holga, and I’ve been unsuccessfully bidding on eBay for Minolta X-700’s and X-500’s (luckily so since my X-300 is perfectly good) when Gus says “Oh I have a Nikon F3 in my drawer gathering dust, do you want it?”
Do bears take their ablutions in forested regions? And look what got dropped round this morning:
So now my film SLR camera list is getting rather long. Once the Leica arrives (in May) what will I do with all these cameras? I thought (until today) that the Minolta could be reserved just for colour film. I may still stick with that, but what do I do with two top-rated pro cameras?
My only thought is that I will get a feel for each and, when about to go out on an expedition I look at both and think… hmm, today feels like the _____ will be the best camera for this. Meanwhile my wife thinks I’m losing my mind, or having some sort of mid-life crisis taking an unhealthy interest in vintage cameras. But that’s true, and doesn’t solve my problem.
Oh, and to make matters worse, I’ve started thinking about a Sony α7 ii as an eventual replacement for my α57. Like I have £700 to spare….Read More
Last week I got a delivery from eBay: a Holga 120N (a snip at £15) in essentially new condition. I’d already purchased a roll of Hp5+ 120 film so immediately got it loaded up and ready to take some nice big medium format images.
A couple of images already taken, but with only 12 in a roll (rather than take the 16 option) I need to think carefully about what to photograph. And goodness knows what images I’ll get out this plastic lens toy camera. I still have film in the Brownie (and this takes larger negatives in fact, with just 8 on a roll) but it really needs better light (i.e. Summer). Moving forward I don’t really see myself using the Brownie now that I have the Holga (assuming quality isn’t too bad) – the problem with the Brownie being, not only is it larger, I can’t be bothered having to re-spool 120 film onto a 620 spindle. The Holga is very light (being that it’s engineer from the finest Chinese injection moulded plastic) and easy to throw in a ruck sack on any trip out.
Looking forward to seeing the results.Read More
I’ve meaning to do this for a while, partly because it’s actually rather easy, and took about an hour to do – presenting some photos in a YouTube video with a pleasant soundtrack.
The sound track is just standard free stuff that you can download from YouTube Creator. I used Windows Media Director (free in Windows), import the images and every 3 or 4 add a zoom effect. That’s it.
More to come I think, though I’d like to have a go at my own soundtrack, then it’s all mine: the narcissistic circle complete.Read More
I plucked up the courage and developed 2 rolls of colour film, one a old film found at the back of a drawer with “Exposed?” written on it, and the other, out of date random colour film from Supaprints or something. that I’d loaded into the Minolta in November.
Compared to black and white development, colour is much trickier. Having made up the dilutions of solutions in the BelliniFoto C-41 kit, the problem was mainly trying to ensure the solutions were at 38oC. The chemicals are rather nastier too, so extra care needed too.
I went through the process and I have a feeling the developer wasn’t warm enough, and the bleach step may have overrun (I’m not sure of the effect of these problems) but when done I still had colour negatives that were scannable but look perhaps dark and underdeveloped?
The recently shot expired film appeared to be lacking green. As a result, the images were quite pinky-blue. The statue below (in Dundee) is a cupric green but not now.
To calm things down I needed to tweak things in Photoshop: de-saturate a little and add a subtle green tint. The result still have a nice, expired filmic quality but a little less nauseating.
Before you ask, no the lack green wasn’t a byproduct the development process. The other roll of film was only partly exposed and consisted of images taken in 2003, mainly of my kids, but here’s one of a younger me – with green. Ha!Read More